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https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516686575551-9QGWNR6SVBM71IEV8612/image-asset.jpeg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516689862905-RG12R3LQ1YBQ0QXVSPYH/etc3_001.jpg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516690408859-J0Y76BE9Z7H3MFA306Z9/image-asset.jpeg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516690499162-BPRN67V1JR0CADWPW7JB/etc5_001.jpg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516691020385-Z6K1GF4CV5WE4PFJPKK5/dp01_001.jpg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516696098945-4JH3WWQB3TZP3EOGCNNB/image-asset.jpeg equalbooks UAUS가 제시하는‘ Refocus Seoul Architecture'의 주제는 말 그대로 서울에 있는 건축물을 재조명하여 학생들의 새로운 시점으로 해석하는 것이다. 전시를 통해 한국, 특히 서울 건축의 작품성과 건축가들을 부각시킴으로서 우리나라 건축을 돌이켜 볼 수 있는 기회를 제공하는 것이 목표이다. 따라서‘ Refocus Seoul Architecture'의 전시주제는 서울 내 건축물에 드러나 있거나 숨어있는 건축적 요소를 재발견, 재조명하는 것에서 시작, 그리고 현재 건축을 배우고 있는 대학생들이 건축물 자체나 건축가의 건축적 요소를 새롭게 해석하여 하나의 새로운 파빌리온으로 탄생이다. 따라서 우리는 건축학도로서 할 수 있는 일을 찾아 실행에 옮기고자 한다. 우리는 전문 건축인과 일반 대중 사이에 위치한 건축학도로서 서울의 건축물들을 대중에게 소개하는 전시를 통해 새로운 문화의 장을 마련하여 한국 건축의 가치를 알리고자 한다. 이를 통해 높아진 국내 건축에 대한 대중들의 관심은 한국 건축계에 새로운 활력을 불어 넣을 것이다. https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516696333186-FJ6MAUBATDCF5TCO210B/Waro+Kishi+case.jpg equalbooks Waro Kishi 1950 Born in Yokohama, Japan 1975 Department of Architecture, Kyoto University 1978 Post-graduate course of Architecture, Kyoto University 1981 Waro Kishi + K.ASSOCIATES/Architects 1993 JIA (Japan Institute of Architects) Award for the best young architect of the year 1996 Prize of Architectural Institute of Japan for Design 1993~2000 Associate Professor, Kyoto Institute of Technology 2000~2010 Professor, Kyoto Institute of Technology 2003 Visiting professor, UC Berkeley 2004 Visiting professor, MIT 2010~ Professor, Kyoto University https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516697850395-TX3RQOU24E6XZPAF2LE8/image-asset.jpeg equalbooks Kentaro Takeguchi 1994 Graduated from School of Architecture, Faculty of Engineering, Kyoto University 1995~96 Studied in Architectural Association School of Architecture, U.K., in Diploma Unit 5, Foreign Office Architects 1998 Graduated from master course, School of architecture, Kyoto University 1998 Established ALPHAVILLE Architects with Asako Yamamoto 2012~ Adjunct professor at Osaka Sangyo University Lecturer at Kobe University Asako Yamamoto 1994 Graduated from School of Architecture, Faculty of Engineering, Kyoto University 1995~96 Studied in l'Ecole d'Architecture de Paris, La Villette, France 1997 Graduated from master course, school of architecture, Kyoto University 1997 Worked at Riken Yamamoto & Field Shop 1998 Established ALPHAVILLE Architects with Kentaro Takeguchi 2010~ Lecturer at University of Shiga Prefecture Prizes 1994 SxL house design competition, Japan 1998 Takiron international competition, Japan 2000 Nisshin kogyo architectural design competition, Japan 2005 Kyoto Architect enviromental design competition, Japan 2009,10 INAX Design Contest , Japan 2009 BEST DESIGN OSAKA, Japan 2009 World Architecture Community Awards 20+10+X Projects, U.S.A 2009,13 Design For Asia Award, Hong Kong 2009 Hise Award 09 for Innovative Excellence in Private Housing, Slovenia 2010 Japan Association of Architectural Firms 2010 Award, Japan 2010 Setsu Watanabe Prize, Japan 2012 Architectural Review House Award, U.K. 2013 International Property Awards, Asia pacific area, U.K. 2013 Prize of Kyoto Architecture, Japan 2013 JIA Kansai Architect Rookie of the year Award, Japan 2013 JCD 2013 Award, Japan 2013 SD review 2013, Japan 2014 Daylight Space 2014, Austria 2014 2x4 architecture design award, Canada Exhibitions 2009~14 GA Houses Project, GA gallery, Japan 2011 Metabolism, the city of the future, Mori Art Museum, Japan Primary Structures, prismic gallery, Japan 2011 Emerging Project 2011, Shinkenchiku Yoshioka Library, Japan 2012 Architecture for Tomorrow, ASJ gallery, Japan https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516697871153-RQTAQ1TK61RWMGURS1ZS/image-asset.jpeg equalbooks Takato Tamagami 1973 Born in Yokohama, Japan 1996 Graduated from Meiji University 1996 Joined Architect’s office 1999 Traveled twelve countries in Europe to visit architecture 2000 Started working as a freelance architect 2002 Established TAKATATO TAMAGAMI Architectural Design 2009 Adjunct Instructor, Nihon University Awards 35th TOKYO SOCIETY OF ARCHITECTS & BUILDING ENGINEERS COMPETITION -Selected- JCD DESIGN AWARD 2005 -Selected- JCD DESIGN AWARD 2008 -Selected- JCD DESIGN AWARD 2009 -Selected- 2nd AICA SHOP DESIGN CONTEST -Selected- SMOKER’S STYLE COMPETITION 2010 -First Prize- JCD DESIGN AWARD 2011 -Selected- JCD DESIGN AWARD 2012 -Shilver Prize- DSA DESIGN SPACE AWARD 2013 -Selected- AICA DESIGN CONTEST 2013 -Selected- 13th Kiraritohikaru kita-no kenchiku AWARD https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516697954599-A7GDMGBW5QWR3SC73W22/Norihiko+Dan+cover.jpg equalbooks Norihiko Dan 1956 Born in Kanagawa Prefecture, Japan 1979 B.Arch., School of Architecture, The University of Tokyo, awarded Graduation Design Prize for diploma project 1979~82 Master fellow of Fumihiko Maki Laboratory 1982 M.Arch., Graduate School of Architecture, The University of Tokyo Established ARCH STUDIO with Gyorgy Palffy, Kojima Yujin 1984 M.Arch., School of Architecture,Yale University 1986 Established Dan + Aoshima Associates, partnership with Hiroyuki Aoshima 1994 Established Norihiko Dan and Associates ~present https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516698110077-ANDAVP6ZAFPGONJPYIOI/2525+cover.jpg equalbooks   Endo Shuhei, Paramodern Architect Francesco Dal Co (Architectural Historian) Lightness and flexibility are frequently combined in the works of Endo Shuhei (b. 1960), starting with structures in his early period, built during the 1990s. This tendency was already visible in the Shino Toseki parking lot (1990) and the Azai-cho Culture Hall (1993), both in Shiga Prefecture. These were followed by Cyclestation M at the West Exit of Maibara Station (1994, Shiga), Healthtecture K, a combined residence and Oriental medicine clinic (1996,Osaka), Halftecture F at the Harmony Hall station on the Fukui Railway (1997, Fukui). It is, perhaps, most clearly visible in Springtecture H (Springtecture Harima, 1998, Hyogo). Using corrugated steel as in the Kitagawa residence and atelier Rooftecture M (2001, Fukui), Endo eliminated the distinction between frame and membrane, producing instead springlike forms—from a theoretical perspective, linking beams with multiple columns—and employing the same structural principles in most of the structures he created. Using continuous curved surfaces, he would first determine the exterior specifications required to enhance the stability of the structural components. See, for example, the guest house Springtecture B (2002, Shiga) and Rooftecture UU, the Ueda Brake factory in Okayama (2007, Okayama). By making the membrane shift to satisfy the necessary conditions for the structures and attaching distinctive names to each of his buildings, Endo defined and articulated paramodern architecture. As demonstrated by Rooftecture OS, the Restaurant PASSO (2012, Shiga), Endo has not abandoned this experimental domain. In recent years, however, he has also been searching for new paths. From this perspective Rooftecture M’s R (the Mori Jukyo, a 10-unit residential project, 2007, Osaka) deserve a particularly close look. While Endo continues to use corrugated steel, here its use is clearly only symbolic. It can also be seen as the result of taking to the extreme an experiment first conducted by the famous French architect-designer Jean Prouve. Other examples from his most recent projects reveal similar tendencies. Bubbletecture H (the Eco-Hyogo environmental experience museum, 2008, Hyogo) and the concept design for the new National Track and Field Stadium submitted to the international design competition (2012, Tokyo) both clearly display stylistic intersections with the work of Buckminster Fuller. By selecting clear examples from Endo’s works, we can arrive at a clear definition of what makes these works paramodern. While bearing the characteristic marks of his earlier experiments, more recent works display a standardization and stylization that are suitable for distinguishing his work from that of the “modern movement.” https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516703968300-OGH9R9PV3QAPXUOFR6AE/image-asset.jpeg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516704133586-SMQXO8HUIVY0J4PORALA/Frame+Cover.jpg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516707395212-W1E1XW02KWELY19UPBPE/image-asset.jpeg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516707329709-SP9WFHAQM8QBUQVKIZOK/Japan+House+R2+cover.jpg equalbooks https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1516706472133-BJA6G7ETWYU4W82OWU67/MORPHOSIS+cover-1.jpg equalbooks   From the beginning, I have been interested in an architecture of complexity — an architecture promoting difference, the pursuit of ambiguity, ideas of inclusion, the coexistence of apparent contradictions, the idiosyncratic, and the imperfect (an acknowledgement of our frailties) — work that ultimately responds to the vast and diverse forces defining the contemporary agenda. The 18 projects in this volume which were all completed in the past seven years, were selected to illustrate the continuation of this pursuit. Their programs are diverse; included are five towers, four academic buildings, four museums, two campuses, a park, a restaurant, and a laboratory building. As a group they reveal the breadth of four decades of investigation and research evolving from the generative and fertile territory of the self-defining early years, and advancing through an expansion of energies parallel to the increased scale and complexity of the work. These projects reverberate with significant pulses in the firm’s history, revealing the development and underpinnings of the Morphosis construct. https://www.nemofactory.net/small-house-city daily 0.75 2025-03-06 https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1741243361376-YALZVS28HBMW3YCUX04H/Small+house+city+cover.jpg Small house city https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1741243361376-YALZVS28HBMW3YCUX04H/Small+house+city+cover.jpg Small house city https://www.nemofactory.net/aavoid daily 0.75 2025-03-06 https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1741251537235-7OI3PEKLN89WLMD8S95A/Studio-Velocity-3.jpg AAVoid https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1741251834254-B1XVL01LIG0B276RID36/Time-Will-Tell-%2528Waro-Kishi%2529-8.jpg AAVoid https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1741252327882-BU3QHAKOA1MJTU43DOAR/FujiwaraMuro-Architects-3.jpg AAVoid https://www.nemofactory.net/main-page daily 1.0 2025-03-06 https://www.nemofactory.net/about daily 0.75 2025-03-06 https://images.squarespace-cdn.com/content/v1/5a5efce4bce17635d27abb06/1cdd6c51-ffe8-4fe1-8961-9be46edac8a0/20220509_077.jpg About AAVoid series-002 FujiwaraMuro Architects https://www.nemofactory.net/contactus daily 0.75 2025-03-17